01 · How we workFive acts,
Five acts,
one master
A calm set is the residue of a hundred decisions made on paper, where mistakes are cheap. This is how a film travels through the studio.
01TC 00:00
Develop
We start with the one idea worth chasing. Scripts, references and boards until everyone in the room can see the same film.
Brief & discoveryConcept & scriptBoards & treatment
02TC 12:00
Pre-Production
The unglamorous work that makes the shoot calm. Casting, locations, crew, schedule, and a plan for every contingency.
Casting & locationsCrew & kitSchedule & safety
03TC 24:00
Production
Days on set, run with discipline and room for the happy accident. We protect the idea while staying open to the better one.
Direction on setCinematographyOn set review
04TC 36:00
Post
Edit, colour, sound and motion, built in one house so nothing gets lost in the handover between rooms.
Edit & motionColour & soundReview cycles
05TC 48:00
Deliver
Every cut, ratio and codec a campaign needs, mastered, checked and handed over with the files organised the way you work.
Masters & cutdownsAll ratios & codecsArchive & handover
02 · Questions
Before we roll.
From a single founder interview to a multi day, multi camera campaign. The craft and the planning are the same, only the crew scales.
Often. We run lean field units that travel light, and we hold the same standard on location as we do on stage.
Either. We can take a project from a blank page to final masters, or step in for a single piece such as colour, sound or motion.
A short social piece can turn in two to three weeks. A campaign or documentary runs longer. We agree a calendar before we start so there are no surprises.